Monday, 30 March 2020

Agoraphobia


Please end this please end this before it ends us, ends us, ends us

I want to stay inside
I want to stay inside for good


It’s been a struggle to get into a working headspace at home.  I don’t really have a dedicated studio area (city centre flats are not renowned for being spacious) and what little I’ve scrounged is still full of distractions.  Nevertheless, on Tuesday night I attempted a start. My process, to begin with, is almost action painting, I put blobs of colour on the surface, and then attempt to blend and smear them out.  I don’t actually know what this first layer is going to look like until I’ve finished.  This is a new practice for me, as before I started University, I always started with a shape, or a full image to work towards.  This is looser and is a much more seat of the pants approach.  I have no idea what this work is going to look like until it’s finished.  There’s always been an element of that to my work, but never from the get-go.
I wonder if these are too over produced and cluttered, though.  That seems to be a part of it, reflecting the mental state of a person in this position, and maybe as I hopefully achieve a clearer view of where I’m going, the works will too?  I’d like a cleaner, purer approach, but for now, the mess seems better.  Like, I like the clean, flatness of the work now, but I know it must be covered, messed up, made imperfect and damaged.  Psychic self portraits.


Ultimately, I don’t feel I’m happy, with myself, or as an artist.  This isn’t fulfilling, and I don’t know what is.  I feel like I’m just scabbing a wound, and occasionally scratching it a little deeper.  My trips to the British Museum and National Gallery stirred nothing in me, I could see the pretty pictures, appreciate the thought and explain why they were the way they were, but it was just a cold analytical experience, and I feel that about my own work at the moment.

It’s not enough.  And I don’t know what is.  


So feeling a little lost, I return to my sketchbook and work on something, that seems to call a little closer to me.  I don’t know if it will go anywhere, but it is a little more representational, and I feel that is something that I might need to bring back into my work, the illustrative side.  It’s not good, but it’s a start.